When senior artist and poet Latiff Mohidin’s Pago Pago (1960 – 1969) exhibition premiered at Centre Pompidou in Paris in late February this year, it created quite a buzz.
Not only was it Centre Pompidou’s first solo exhibition featuring a South-East Asian artist, but it also focused on a key moment in the work of one of the region’s leading modernists: Latiff and his seminal Pago Pago series, which he developed in the 1960s.
Already a subscriber? Log in.
Get 30% off with our ads free Premium Plan!
Cancel anytime. No ads. Auto-renewal. Unlimited access to the web and app. Personalised features. Members rewards.
Follow us on our official WhatsApp channel for breaking news alerts and key updates!