Blackpink's solo journey: Complementary path, not competition. Photos: Lisa/Instagram, Rose/Instagram, Jennie/Instagram
After leaving YG Entertainment to pursue solo activities, the members of Blackpink – who had already embarked on individual careers while still part of the agency – have each reached new heights on their own terms.
Typically, K-pop groups draw strength from teamwork, with solo projects often leading to fragmented fandoms and diminished influence.
However, this narrative hasn’t applied in the case of Blackpink as Lisa, Jennie and Rose redefine success through their individual achievements, sparking interest in their global impact as solo artistes.
Notably absent from the current spotlight is Jisoo, who has yet to introduce a solo song since parting ways with YG Entertainment.
Still, Blackpink members’ post-YG solo endeavors collectively demonstrate how individual accomplishments can complement one another, broadening the global influence of K-pop’s biggest girl group.
Lisa launched her label Lloud Company in February and inked a partnership with Sony Music Entertainment’s RCA Records in April.
This move signalled her intent to connect with a global audience.
In June, she released Rockstar, which climbed to No.8 on Spotify’s Global Chart and No.70 on the Billboard Hot 100.
August saw the release of New Woman featuring Grammy-winning Latin pop star Rosalia.
The collaboration earned Lisa two awards – Best Collaboration and Biggest Fans – at the 2024 MTV Europe Music Awards.
Lisa’s October release Moonlit Floor coincided with her performance at the Victoria’s Secret Fashion Show, marking the event’s return after six years.
That same month, she won Best K-pop artiste at the MTV Video Music Awards.
Her bold artistic direction has established her as a pop icon with avant-garde tendencies. Lisa’s debut solo album Alter Ego is set to drop on Feb 28.
Jennie, the first Blackpink member to establish her label Odd Atelier last November, signed a solo deal with Columbia Records in September.
Her single Mantra, released in October, debuted at No.5 on Spotify’s Daily Top Songs Global chart, setting a personal best.
It also entered the Billboard Hot 100 at No.98 and reached No.2 and No.3 on Billboard’s Global and Global 200 charts, respectively.
In Britain, Mantra debuted at No.37 on the Official Singles Chart Top 100, marking another milestone in her solo career.
While Jennie has yet to announce the release date for her first solo LP, her growing global presence reflects her ability to captivate audiences with her Hollywood pop style.
Taking a different route, Rose joined The Black Label, an affiliate of YG Entertainment, in June.
She signed a global solo deal with Atlantic Records in September, paving the way for her collaboration with Bruno Mars on the megahit Apt.
Released in October, Apt. draws inspiration from a popular Korean drinking game of the same name and features Rose and Mars in a playful, retro music video.
The song quickly captivated audiences, amassing over 100 million YouTube views within five days.
The track dominated real-time and daily charts on major Korean platforms like Melon, Genie, Bugs and Vibe.
It also topped Spotify’s Global and US charts and iTunes charts in 40 regions.
On the UK Official Singles Chart, Apt. debuted at No 4, the highest-ever entry for a Korean female artiste.
Rose released her first solo studio album Rosie on Dec 6.
Music critics emphasise the importance of Blackpink members’ efforts in breaking K-pop stereotypes and setting a precedent for other female artistes.
“It is often assumed that a K-pop group as successful as Blackpink would grant its members full creative freedom in their musical endeavours.
“However, the reality is that the members often operated within the constraints of the Blackpink brand. Signs of such limitations have surfaced in the past,” pop critic Cha Woo-jin said.
“Yet, it is notable that the three members (to have gone solo so far) – Lisa, Rose and Jennie – appear to be pursuing the music they genuinely want to create while solidifying their individual brands. These efforts stand out as significant and praiseworthy.
He further noted that these cases should become more common.
“These cases (Lisa, Rose and Jennie setting milestones as solo K-pop musicians in the global music scene) should become more common, offering broader opportunities for female artistes – not just to deliver messages tied to their gender, but to break boundaries and carve out unique spaces in the industry.
“Whether it’s Blackpink, other K-pop girl groups, or female artistes globally, fostering diverse examples of what women in music can achieve is essential,” Chai said.
Music critic Kim Do-heon echoed the sentiment, viewing Blackpink members’ solo activities as complementary rather than competitive.
“Blackpink’s global popularity has allowed the members to step into individual activities, amplifying their distinct personalities through solo projects.
“Each member’s efforts are different and their unique styles have been positively received,” Kim said.
“Lisa, with tracks like Rockstar and New Woman, ventures into avant-garde and bold territory as a pop star.
“Meanwhile, Rose leans into the archetype of a Western singer-songwriter, reminiscent of artistes like Sabrina Carpenter.
“This approach highlights the diversity and strength of their individual artistry,” he added. – The Korea Herald/Asia News Network
