A voice actress on the show Amores en subasta recording her ‘scenes’ at Radio Progreso in Havana. — Photos: AFP
Forget Netflix and telenovelas. In communist Cuba, many people still turn to the humble radio for their daily drama fix.
Eighty years ago, a Cuban radio soap opera El Derecho de Nacer (The right To Be Born) became an instant hit with its tale of a wealthy Havana patriarch trying to cover up the dishonour of his daughter falling pregnant out of wedlock.
The series, which wrung tears out of listeners across Latin America and was later turned into a movie, created the template for the region’s hugely popular telenovelas.
But in Cuba, the love affair with radio plays, particularly period productions, has endured the advent of TV and streaming platforms.
These days, the must-listen-to soap is Amores en Subasta” (Love For Auction), which is broadcast at mid-morning every day on Radio Progreso, the self-described “happiness station” which has produced many of Cuba’s best-loved series.
Set in Havana at the turn of the 20th century, the series revolves around the maid of a wealthy family who regales her employers every day with juicy gossip about Cuba’s high society.
A special effects sound technician working on one of Cuba’s current top radio soaps, Amores en subasta.
Not all happy endings
Alexis Castillo, a congenitally blind 54-year-old listener, tunes in daily at his home in eastern Havana.
“It’s as if I were living in that period,” he said, clutching his small transistor.
Across town, Milvia Lupe Levya, an 82-year-old pensioner, also listens transfixed to the stories of illicit affairs and other misadventures of Cuban nobility.
Her radio, which her son brought back from Mexico “about 20 years ago”, hisses and crackles with age, but “the characters and performances captivate me”, she said.
The soap, according to Levya, provides escapism from everyday life on the island.
“I feel like the queen of the world!” she said.
The radio soaps often touch on social themes.
A Black nanny comes to the rescue of the disgraced expectant mother in El Derecho de Nacer, which gained a devoted following across Latin America, including in Brazil thanks to a Portuguese translation.
Social inequality and discrimination are also leitmotifs of Amores en subasta, which delves into the intrigues of Havana’s pre-revolutionary aristocracy.
Castillo dismissed the notion that such broadcasts were the entertainment of stay-at-home mums or people with little formal education.
“Radio soaps are not all melodramas with lots of sobbing and happy ending,” he defended.
“Many of them are historical and biographical in nature and teach you things,” he said, while admitting to a fondness for a “well-written” romance.
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In Radio Progreso’s recording studio, time seems to have stopped somewhere in the 1950s.
A group of actors stand in a circle before a microphone and bring their characters to life while reading scripts from a black screen.
Nilas Sanchez, an elegant white-haired 76-year-old, has half a century of studio acting under her belt.
She said that, despite the streaming revolution, she believed radio plays had many years of listenership remaining in Cuba.
“Cuba has a strong tradition of listening to the radio and radio dramas,” Sanchez said.
The artistic director of Amores en Subasta, Yumary Cruz, swears by the recipe of the father of radio soaps, El Derecho de Nacer scriptwriter Felix B. Caignet.
“Tears, whispers and happiness forever delayed are still very effective,” she said.
But even inside the padded walls of the studio, the country’s present-day economic and energy crises are keenly felt.
To conserve energy in the face of repeated hours-long blackouts – the Caribbean island has suffered three nationwide blackouts in two months – air conditioning is forbidden in the studio, meaning the actors perform their lines drenched in sweat.
Cruz also laments the fact that many actors have left Cuba, which is experiencing its biggest outflow of citizens since its 1959 revolution.
Lovers of the genre, meanwhile, grumble at being deprived by the power cuts of their daily shot of drama.
In the absence of a web-based replay service the tech-savvy Castillo records each episode of Amores en Subasta and uploads it to a WhatsApp group so listeners across the country can tune in later.
He has also turned it into a podcast, uploading episodes to the cloud so fans both inside and outside Cuba – including Cuban exiles in Florida – can download it.
“It’s a la carte radio,” Cruz joked. – AFP
