Models presenting Chanel creations at the Autumn/Winter 2024 Paris Couture Week. Photo: AFP
Awkward! Chanel held its haute couture show on Tuesday (June 25) just three weeks after the very abrupt departure of creative director Virginie Viard after almost 30 years with the brand.
Viard worked alongside the legendary Karl Lagerfeld for years before taking over at the helm after his death in 2019.
She oversaw record sales of nearly US$20bil (approximately RM94.2bil) last year.
But a crisis had been brewing for months, with sceptical pouts on the front row and murmurs that her shows were growing repetitive, and she was unceremoniously booted out in early June.
Viard, 62, did not even get a swan song on Tuesday (June 25).
There was no mention of her in the show notes, which said the latest collection was created by the 150 artisans of its workshop on Rue Cambon.
Read more: Chanel's creative director Virginie Viard to exit brand, according to report
It was a typically sophisticated and theatrical collection, staged in the Opera Garnier, with medieval capes, evening dresses with puffed sleeves, matador outfits and a velvet tuxedo alongside the house's classic tweeds – with a touch of Lagerfeld-ian vinyl thrown in.
Viard's tenure looked doomed in May when a mid-season Cruise show in Marseille failed to impress fans – not helped by the unseasonably cold weather on the Cote D'Azur.
"What the hell is going on? Bad cuts and fabrics? The shoes?!" protested one internet user. Another called it "lazy".
A month later, her departure was announced in less than elegant form – revealed to the specialist press in the middle of the night.
Paris-based designer Lutz Huelle said he sympathised with her situation.
"Regardless of what anyone thinks about her work of the last five years, she found herself in the far-from-simple situation of having to, from one day to the next, replace one of the biggest and best-loved designers at the biggest brand in the world – a literally impossible task," he said.
"I can't imagine Karl working with someone for all these years without that person doing a great job," he added.
Discreet presence
Viard's takeover was seen as a temporary appointment at the time, although she was only the third creative director in Chanel's 114-year history after Lagerfeld and its founder Gabrielle "Coco" Chanel.
Always dressed simply, in a T-shirt and black trousers, she was a far more discreet presence than "The Kaiser", known for his provocative statements.
Her shows were much less spectacular than Lagerfeld's extravaganzas and commentators were often highly critical of her cuts and taste.
That never put off buyers, who still flocked to Chanel stores – sales were up 14.6 percent to US$19.7bil (RM92.7bil) last year.
Ready-to-wear sales increased 23 percent during Viard's five-year tenure.
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"It underscored the fact the brand is much stronger than the individual designer," wrote Business Of Fashion.
The fashion world now turns to its favourite pastime – speculation over who will succeed.
Among the names circulating are Hedi Slimane (Celine), known for his rocker aesthetic, raising the possibility of a move into menswear for the first time.
Other possibilities are French designers Marine Serre or Simon Porte Jacquemus, who have both found great success with their own brands.
Pierpaolo Piccioli, who left Valentino four months ago, and Britain's Sarah Burton, who designed Princess Catherine's wedding dress, are also seen as possible candidates. – AFP
