Paris Couture Week: The line blurs between exclusivity and accessibility


By AGENCY

Sleek, form-fitting creations in Nicolas Di Felice’s collection for Jean Paul Gaultier. Photo: The New York Times

Paris Couture Week is a reminder that the clothes many people consider to be the most splendid in the world are accessible to only a select few with means and connections. That doesn’t mean the shows are not fun to see.

This year’s events, in late June, were full of thrills, thanks partly to presentations by designers Robert Wun; Nicolas Di Felice, who developed the newest Jean Paul Gaultier couture collection; and Daniel Roseberry of Schiaparelli, whose collection showed off his eye for timeless silhouettes and resplendent details.

Another standout was Thom Browne, who used lighter fabrics to create intricate pieces that seemed practical and breathable – two words not often used to describe couture.

Read more: For one fashion house, a designer-less couture show fuels further speculation

Outside the shows, the style in the crowds was a mix of formal attire and streetwear.

Sartorially, it has become harder to tell the difference between fashion superfans (students, bloggers) and industry fixtures (editors, A-listers). The former group, largely because of technology, has greater access to the type of holy-grail clothes that were once primarily the domain of the latter.

That might seem at odds with the premise of exclusive events like couture week – but think of it as this: the more people who look fabulous, the better. – The New York Times


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