Italian Instagram artist Sagg Napoli (left) presents a creation by Dior for Spring/Summer 2025 Paris Fashion Week. She is later seen firing an arrow on stage as part of the show. Photo: AFP
Maria Grazia Chiuri’s Dior collection took a sporty turn, blending athletic prowess with an urban menace on Tuesday (Oct 24).
The Paris show’s stripped-down designs evoked a 1960s sci-fi aesthetic, reminiscent of Star Trek, but with an edge-daring, asymmetrical shapes paired with knee-high boots that flirted with danger.
As a live archer launched arrows into a target mid-show, VIPs such as Natalie Portman and French first lady Brigitte Macron erupted in applause, heightening the collection's drama.
Here are some highlights of ready-to-wear shows for Spring/Summer 2025, including a starry Saint Laurent.
A feminine fighting form
Chiuri’s intent was clear from the start: a nod to the power and autonomy of the female form.
With a clear reference to Christian Dior’s iconic Amazone dress from the early 1950s, Chiuri reinterpreted the silhouette with sleek, athletic lines.
It echoed the spirit of the recent Paris Olympics, as models walked in skin-tight black tops with geometric cut-outs, circular cutaway patterns, and lace-up boot sneakers.
There was a dynamic tension between freedom of movement and structured control – a recurring theme in Chiuri’s work, which often explores the balance between comfort and couture.
Dualities were evident in the collection’s black-and-white palette, a nod to the iconic Miss Dior logo, stretched to graphic extremes.
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The monochrome bombers – some accented with bright red details – projected a combat-ready urban vibe, while an all-white tuxedo with dangerously sharp fastenings evoked a touch of Hannibal Lecter menace.
Metallic accents, from shimmering embroidery to butterfly motifs, punctuated the otherwise severe palette, adding a touch of delicacy to the sharpness of the designs. Lightweight evening dresses in jersey, enhanced with shiny embellishments, underscored Chiuri’s ongoing quest to marry elegance with ease – an ethos that has defined her tenure at Dior.
Yet, for all its urban grit, the show wasn’t without its moments of softer, playful contrast.
Breton-striped swimwear offered a surprising, and ultimately incongruous, interlude in an otherwise aggressive, urban lineup.
This attempt to balance Dior’s classic femininity with a gritty, youth-oriented aesthetic felt sometimes forced.
The contrast between the house's refined heritage and the try-hard urban appeal at times seemed as if the collection were straining to capture a younger audience at the expense of its core identity.
Chiuri’s latest offering, much like her past work, refuses to adhere to a singular theme. Asymmetry, athleticism, and autonomy were at this collection's heart.
One of the most notable moments of Dior’s show came from a live performance by an artist called Sagg Napoli, who incorporates archery into her work.
Positioned in a sealed tunnel at the center of the runway, the artist with rippling shoulder muscles used a high-tech bow to shoot arrows, symbolising the harmony between body and mind.
This performance was a nod to the themes of strength and athleticism that have been central to Chiuri’s collection, inspired in part by the Paris 2024 Olympics.
Rich, sumptuous textures such as velvet, lace, and gleaming metallics are seen in the Saint Laurent collection. Photo: AFPThe display of skill and precision was met with applause from the audience, including VIPs such as Aya Nakamura, Jennifer Garner, and Rosamund Pike.
Natalie Portman, when asked if she felt like an Amazon, said, "I am a very small person so I’m the opposite, but the spirit, is alive and well.”
Chiuri’s decision to include the performance highlighted her ongoing focus on the intersection of fashion, sport, and gender equality.
The phrase "May the building of a strong mind and a strong body be the greatest work I have ever made” appeared on the set, reinforcing the message of strength and empowerment throughout the show.
Read more: From New York to London, fashion weeks embrace a young vibe for the new season
Between minimalism and opulence
A-listers Gwyneth Paltrow and Rami Malek added a touch of after-dark star power to a moody Saint Laurent show on the Left Bank on Tuesday (Oct 24) night.
Anthony Vaccarello, continuing his well-known explorations of exaggerated proportions, took his penchant for oversize to bold new heights with shoulders so wide they felt architectural.
The collection felt introspective, with its preppy glasses, 1970s-inspired shades, and razor-sharp suits channeling the late, great Yves Saint Laurent himself.
The silk foulard motifs on slinky gowns, combined with statement gold-plaited earrings, exuded a tactile elegance reminiscent of Vaccarello's earlier, more refined collections, while subtly referencing the house’s historic obsession with opulence.
The designer's trademark minimalism was present, especially in the stripped-back, controlled silhouettes of the opening looks.
As with prior collections, his reliance on precise tailoring and quiet luxury gave the show a deliberate, restrained feel – though it leaned too heavily on safety.
Critics of past seasons who noted his tendency toward oversimplification would find echoes of that here, as the opening half of the show.
Yet, as has often been the case with Vaccarello, the collection’s true brilliance emerged in its latter part.
Taking more risks, he introduced rich, sumptuous textures – velvet, lace, and gleaming metallics – in a palette of deep golds, blues and reds.
These more luxurious elements, combined with bold ruffled collars and sunray pleats, provided a striking contrast.
This final burst of creativity echoed his 1970s-era historical references while feeling fresh and contemporary. – AP
