Abu Zaki says the masterplan can document the evolution of the country’s artistic landscape.
VARIOUS strategies are needed to boost implementation of the Kuala Lumpur Creative and Cultural District (KLCCD) strategic masterplan, art practitioners say.
Painter Nur Aishah Alli said the authorities needed to establish clear phases and timelines as well as measurable goals to ensure the masterplan stayed on track and yielded tangible results.
“To achieve this, regular progress updates are essential to foster accountability and maintain momentum.
“Increased public awareness of the masterplan could also generate more interest and community involvement, making the people feel like contributors to the city’s transformation rather than just spectators,” she said.
Nur Aishah calls for underutilised government buildings to be used for creative purposes.
Nur Aishah, who is also an art teacher, called for the expansion of funding options such as matching grants and rental subsidies to make it easier for individuals and organisations to contribute to the cultural ecosystem.
“Authorities should also open up more public spaces such as underutilised government buildings or green spaces at affordable rates for creative use.
“Long-term sustainability plans must be developed to ensure these spaces remain active and accessible,” she said.
Nur Aishah further said that cross-disciplinary collaboration was essential for the masterplan’s success.
“Integrating artists with architects, urban planners and designers will generate more innovative ideas to blend culture into the urban landscape.
“Organising innovation labs and cultural think tanks can also foster new approaches to realise KLCCD’s vision.”
She also pointed out some challenges that might have slowed down implemention of the masterplan.
These include a lack of public interest in arts and the hardships of balancing heritage conservation with modernisation.
“Although festivals and events have been introduced, art appreciation among the general public is still developing, as many see it as an entertainment rather than an essential part of urban life,” she said.
“The arts are also often undervalued in schools, which can impact how society views the importance of creative expression in the long-term.
“There is also tension between preserving cultural landmarks and the push for rapid urban development, with commercial interests often overshadowing arts.”
Nur Aishah added that sustained support, collaboration and a cultural shift in the government, private sector, among artists and the public were essential in overcoming these challenges.
Contemporary artist Abu Zaki Hadri said the masterplan was a good step towards improving the arts scene in Malaysia.
“It can also document the evolution of the artistic landscape in the country.
“However, more promotions and support need to be given to artists to further boost its implementation.
“More spaces need to be established for them to create and showcase their works,” said Abu Zaki, who is also the president of Malaysian Visual Arts Association.
