Tango dancers performing at the milonga ‘La Cachila’, in the Nuevo Gricel tango night club in Buenos Aires. — AFP
ARGENTINA’s biting economic crisis cannot keep tango enthusiasts from seeking out the haunting tunes of piano and concertina music at a dwindling number of dance halls in the capital.
For many, in fact, the deepening hardship is exactly what drives them to seek solace in the arms of a dance partner at places called “milongas” to the sway of a musical genre closely associated with working class struggle.
At a milonga, “You feel... a connection with yourself and with others. It’s an investment for the heart and the spirit,” explained 36-year-old tango dancer Andrea Censabella, a regular at the tiny dance club “La Tierra Invisible” in a middle class suburb of Buenos Aires.
“For me, this is a priority... So it (the economic crisis) doesn’t stop me. For now,” she said.
The club is small -- only about 20 sq m – and fits around a dozen dancers. The tables are concocted of old doors resting on trestles.
A contemporary tango group performing at the milonga. — AFP
It hosts one or two sessions a week, charging an entry fee of about 400 pesos (just under RM4.70 at the fast-changing official exchange rate).
Many milongas in the capital have had to close amid spiraling inflation that reached 95% last year.
Fewer and fewer can afford to hire live musicians.
But dozens of increasingly lower-budget milongas continue to attract the tango faithful and the Argentine capital continues to host about 30 of them on average every night of the week – from fancy to informal, traditional to queer, for all styles, all budgets.
“The milonga survives because it is a necessity. There has always been and will always be a crisis,” said tango pianist Nicolas di Lorenzo, a co-manager at “La Tierra Invisible”.
“In the lyrics, tango has always reflected the crises and suffering of the working class” in a country that is no stranger to economic crashes, added historian Felipe Pigna.
A couple dancing tanto at the milonga in Buenos Aires, Argentina. — AFP
A case in point: One of the most popular tangos, “Yira Yira,” was written by Enrique Santos Discepolo about the widespread suffering that followed the Wall Street crash of 1929.
It tells the story of someone running out of hope and “mate” – a herbal infusion very popular in Argentina – walking around in worn-out shoes and desperate for money for food.
“With each crisis, the social tangos of Discepolo are updated. We listen to tangos that are almost 100 years old, and unfortunately they are still relevant,” said Pigna.
At some Buenos Aires milongas, the entry fee of about US$5 (RM23) on average has been halved, even completely eliminated for those who cannot afford it.
There are also free, open-air events such as “La Otra” (The Other) hosted under trees on the square outside parliament – where participants dance under the gaze of homeless people camped out nearby.
“We are here to offer a free, inclusive space where we can dance tango without major expense... because right now people are finding it difficult to spend money,” said Valentin Rivetti, a 24-year-old tango dancer and instructor.
“We pass around a hat, people put in what they want, what they can.” — AFP
